For Blue Paper, I produced and directed a capstone stop-motion animation tribute to David Lynch and noir. I pitched the idea for the project in front of a large audience. I led project meetings and cross-coordinated work across my team. I also organized and created paper assets for the project and organized digital file assets.

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On Funny Business, I spearheaded the animation and live-action paper puppet work. I took notes on any meetings pertaining to animation or puppets, built sets and assembled props to ensure quality lighting and shot choices, and acted as an animation pipeline expert. I also managed physical assets such as puppets and sets as well as digital assets such as animation takes and original footage.
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For Les Sockerables, I acted in a producer role as well as the head puppeteer on the team. I taught a puppeteering team how to operate sock puppets, built sets, helped scout for locations for outdoor shoots, and worked on the logistics of filming in a public location. In addition, I oversaw the creation, editing, and distribution of the project.